Colquhoun, an eminent scholar in the field of architecture, offers here a new account of international modernism that explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The book focuses on the work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe, re-examining their work and shedding new light on their roles as acknowledged masters. The author presents a fascinating analysis of architecture with regard to politics, technology, and ideology, all while offering clear descriptions of the key elements of the Modern movement. Colquhoun shows clearly the evolution of the movement from Art Nouveau in the 1890s to the mega-structures of the 1960s, revealing the often-contradictory demands of form, function, social engagement, modernity and tradition.
Review
"Who needs another history of the modern movement? Coloquhoun, emeritus professor of architecture at Princeton, shows us why in this wonderfully succinct, readable, and opinionated account of movements and formgivers, from European art nouveau to the post-war decades in America. Each of the chapters focuses on a theme or a region, ranging from the artistry of Loos to the social engineering of Scandanavia. Though most of the examples are familiar, the author gives them a fresh spin--starting with the cover illustration of Hans Scharoun's Schminke house of 1933, now restored and used as a day care center. It embodies the daring and idealism that powered the modern movement and is now being rediscovered."--L.A. Architect
